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I loved it. I completely understand why the people who don't like it, don't like it. And it wouldn't have taken much to push me into that camp. But I'm thoroughly in the camp of those who loved it. I didn't notice Garret Dillahunt but the stunt casting that really was a poor choice was in using James Carville (yes, the political consultant) as the governor of Missouri. Took me right out of the movie for several minutes. |
I'd like to see this, because I'm intrigued by the subject matter, ands I really like The Long Riders, a movie about the James gang that is nothing but stunt casting. (If I'm not mistaken, I wrote this movie up much earlier in this very thread.)
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D'oh. Sorry. I thought you meant only stuntmen were cast. Like, you know, to do mega-stunts while also acting...
Nevermind. :D |
Based on the comments from when mousepod showed it, and a general curiosity about Javier Bardem I put Perdito Durango at the top of my Netflix queue.
Watched it yesterday. Maybe it is a good crowd movie but I watched it by myself. Someone please tell me how I can get those two hours back. |
Awwww! I really loved Perdita Durango. I actually liked it as much as No Country for Old Men.
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I certainly did not.
Javier Bardem was actually fine. James Gandolfini showed more of Tony Soprano than any other pre-Sopranos role I've seen from him. But considering all the action it somehow felt like it was just moseying along doing nothing. Rosie Perez was awful. The two teenagers were worse than Perez. It had the "enjoying rape" cliche. I should have given up on it but it was the only Netflix movie I had at the moment and I kept telling myself "it has to get better, there must be a point made eventually, redemption is around the corner..." and then it ended. |
Heh - yeah
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I did see something called "the Director's Cut" and I know it was probably edited differently than original release so I'll just decide that it was destroyed in the version I saw and consider it my bad luck.
Maybe if Tommy Lee Jones had been there to create a context. |
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