| Cadaverous Pallor |
06-05-2006 11:45 AM |
Hmm, perhaps a blurb on these books would be helpful?
Quotes are publisher blurbs from bn.com.
Quote:
Originally Posted by Cloud Atlas
"Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, inveigles his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. And onward, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history." But the story doesn't even end there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.
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Quote:
Originally Posted by I, Lucifer
"The Prince of Darkness has been given one last shot at redemption, provided he can live out a reasonably blameless life on earth. Highly sceptical, naturally, the Old Dealmaker negotiates a trial period - a summer holiday in a human body, with all the delights of the flesh." "The body, however, turns out to be that of Declan Gunn, a depressed writer living in Clerkenwell, interrupted in his bath mid-suicide. Ever the opportunist, and with his main scheme bubbling in the background, Luce takes the chance to tap out a few thoughts - to straighten the biblical record, to celebrate his favourite achievements, to let us know just what it's like being him." Neither living nor explaining turns out to be as easy as it looks. Beset by distractions, miscalculations and all the natural shocks that flesh is heir to, the Father of Lies slowly begins to learn what it's like being us.
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Quote:
Originally Posted by Devil in the White City
"Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds - a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake." The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.
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Quote:
Originally Posted by Marley and Me
John and Jenny were just beginning their life together. They were young and in love, with a perfect little house and not a care in the world. Then they brought home Marley, a wiggly yellow furball of a puppy. Life would never be the same.
Marley quickly grew into a barreling, ninety-seven-pound streamroller of a Labrador retriever, a dog like no other. He crashed through screen doors, gouged through drywall, flung drool on guests, stole women's undergarments, and ate nearly everything he could get his mouth around, including couches and fine jewelry. Obedience school did no good—Marley was expelled. Neither did the tranquilizers the veterinarian prescribed for him with the admonishment, "Don't hesitate to use these."
And yet Marley's heart was pure. Just as he joyfully refused any limits on his behavior, his love and loyalty were boundless, too. Marley shared the couple's joy at their first pregnancy, and their heartbreak over the miscarriage. He was there when babies finally arrived and when the screams of a seventeen-year-old stabbing victim pierced the night. Marley shut down a public beach and managed to land a role in a feature-length movie, always winning hearts as he made a mess of things. Through it all, he remained steadfast, a model of devotion, even when his family was at its wit's end. Unconditional love, they would learn, comes in many forms.
Is it possible for humans to discover the key to happiness through a bigger-than-life, bad-boy dog? Just ask the Grogans.
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Quote:
Originally Posted by Madame Bovary
The publication in 1857 of Madame Bovary, with its vivid depictions of sex and adultery, incited a backlash of immorality charges. The novel tells the story of Emma Bovary, a doctor’s wife bored and unfulfilled by marriage and motherhood. She embarks upon a series of affairs in search of passion and excitement, but is unable to achieve the splendid life for which she yearns. Instead, she finds herself trapped in a downward spiral that inexorably leads to ruin and self-destruction.
Along with Tolstoy’s Anna Karenina, Flaubert’s tragic novel stands as a brilliant portrayal of infidelity, an incisive psychological portrait of a woman torn between duty and desire. Written with acute attention to telling detail, Madame Bovary not only exposes the emptiness of one woman’s bourgeois existence and failure to fill that void with fantasies, sex, and material objects. Emma’s thirst for life mirrors the universal human impulse for idealized fulfillment.
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Quote:
Originally Posted by Howard's End
The self-interested disregard of a dying woman's bequest, an impulsive girl's attempt to help an impoverished clerk, and the marriage between an idealist and a materialist--all intersect at a Hertfordshire estate called Howards End. The fate of this beloved country home symbolizes the future of England itself in E. M. Forster's exploration of social, economic, and philosophical trends, as exemplified by three families: the Schlegels, symbolizing the idealistic and intellectual aspect of the upper classes; the Wilcoxes, representing upper-class pragmatism and materialism; and the Basts, embodying the aspirations of the lower classes. Written in 1910, Howards End won international acclaim for its insightful portrait of English life during the post-Victorian era.
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Quote:
Originally Posted by Wind up Bird Chronicle
The Wind-Up Bird Chronicle is many things: the story of a marriage that mysteriously collapses; a jeremiad against the superficiality of contemporary politics; an investigation of painfully suppressed memories of war; a bildungsroman about a compassionate young man's search for his own identity as well as that of his nation. All of Murakami's storytelling genius -- combining elements of detective fiction, deadpan humor, and metaphysical truth, and swiftly transforming commonplace realism into surreal revelation -- is on full, seamless display. And in turning his literary imagination loose on a broad social and political canvas, he bares nothing less than the soul of a country steeped in the violence of the 20th century.
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Hmm. Ok, I guess I'd vote for either Madame Bovary or Wind up Bird. Or rather, anything but Howard's End. |
