Best Director, certainly. The "overlooked till now" factor is overwhelming in Scorcese's case. Too bad, because Greengrass pulled off a far better directorial feat.
Peter O'Toole might right the sentimental wave as well.
Ah well, I hardly look to the Oscars to determine the best of anything, and either of the two sentimental votes would be legitimate winners for their current works in any case.
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