Quote:
Originally Posted by Snowflake
Perhaps this is true, but I thought the Departed was rock solid from top to bottom, a good film and at least he got his overdue Oscar for a good film (IMO, at least) rather than The Aviator.
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Oh, and see I thought
The Aviator was also a rock-solid film. I didn't like it all that much, but - for the biography genre - it was as rock-solid as just about any (and less than a handful of that genre stand out as fantatastic).
Similarly, in the mob-genre - yeah,
The Departed was rock-solid. And only a handful in that genre stand out as fantastic (one of them by Marty himself).
I just don't think rock-solid necessarily qualifies for Best Picture.
The Departed was well-crafted. Its awards for editing and screenplay were well-deserved imo. And yeah, before he dies, give the award to Scorcese for any decent thing he's nominated for.
But it rankles that Best Picture went to a remake, just as I bemoan that the best actor and actress nods went to real-person immitators. There was less CREATION in these awarded films and roles, and I think that detracts from their overall greatness.
BTW, the last re-make to win best picture was
Ben-Hur in 1959