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				NY Time obit
			 
 This was a lot more than I knew about her.
 NY Times
 
 March 13, 2007
 Betty Hutton, Film Star of '40s and '50s, Dies at 86
 By RICHARD SEVERO
 
 Betty Hutton, a singer and actress celebrated as a blond bombshell of
 Hollywood musicals and comedies in the 1940s and 50s, died Sunday night
 at her home in Palm Springs, Calif., her executor announced today. She
 was 86.
 
 The cause was complications of colon cancer, the executor, Carl Bruno,
 told The Associated Press. He said the announcement of her death had
 been withheld until after her funeral today, at the Forest Lawn Cemetery
 in Cathedral City, Calif.
 
 Ms. Hutton, a brassy, energetic performer with a voice that could sound
 like a fire alarm, had the lead role in the 1950 film version of Irving
 Berlin's "Annie Get Your Gun" and a starring role in Cecil B. DeMille's
 1952 spectacular, "The Greatest Show on Earth."
 
 She was known for her renditions of upbeat songs like "Murder, He Says,"
 a Jimmy McHugh and Frank Loesser number from the 1943 film "Happy Go
 Lucky," and "His Rocking Horse Ran Away" from "And the Angels Sing" (1944).
 
 Ms. Hutton's electric presence in films like "The Fleet's In" and
 Preston Sturges's "Miracle of Morgan's Creek," masked emotional problems
 rooted in a poverty-stricken childhood. As a young girl, she sang for
 coins on street corners and in speakeasies to help support her alcoholic
 mother, who had been abandoned by Ms. Hutton's father.
 
 Years after her film career ended, those emotional problems still
 plagued her. "I tried to kill myself," Ms. Hutton said in 1983,
 recalling her decline after she faded from public notice.
 
 She re-emerged in the 1970s, when reporters learned she was working as a
 cook and housekeeper in the rectory of a Roman Catholic church in
 Portsmouth, R.I. Before being rescued and rehabilitated by a priest, she
 said, she had become addicted to sleeping pills and alcohol and had lost
 what she estimated to be a $10 million fortune.
 
 Betty Hutton was born Elizabeth June Thornburg in Battle Creek, Mich.,
 on Feb. 26, 1921, the daughter of Percy Thornburg, a railroad brakeman,
 and Mabel Lum Thornburg. In the early 1920s, Mr. Thornburg left town
 with another woman, and Mrs. Thornburg took her children to Lansing and
 finally to Detroit, where she got a job in the automobile industry for
 22 cents an hour. To make ends meet, she sold homemade beer to
 Prohibition violators. Betty and her sister, Marion, sang for the customers.
 
 Ms. Hutton quit school in the ninth grade and started earning money
 ironing shirts and doing housework. She also kept singing. When she was
 15 and singing in a Detroit nightclub, the bandleader Vincent Lopez
 hired her and gave her the name Hutton. The band was also heard on
 radio. (Marion Thornburg later adopted the name Hutton, too, and became
 a vocalist with the Glenn Miller Orchestra; she died in 1987.)
 
 Ms. Hutton left Mr. Lopez's band after a couple of years and in 1940
 appeared in the Broadway revue "Two for the Show." Vogue magazine called
 her "the most supercharged" member of the cast. A year later she went to
 Hollywood at the invitation of B. G. DeSylva, executive producer at
 Paramount. He gave her, at 21, a part in "The Fleet's In." Look magazine
 said it made her a star overnight.
 
 Her film credits in the next 15 years included "Let's Face It" (1943)
 and "Here Come the Waves" (1944). Sturges gave her more of a chance to
 act in "The Miracle of Morgan's Creek" (1944), a screwball comedy about
 wartime morality that ruffled censors with its story of a young woman
 who becomes pregnant after a spur-of-the- moment marriage and then can't
 quite remember who the father is.
 
 The next year she was back in a familiar role, as a hat-check girl, in
 "The Stork Club," in which she memorably sang Hoagy Carmichael's
 "Doctor, Lawyer, Indian Chief."
 
 Several of her films were biographies: "Incendiary Blonde," about the
 actress and nightclub queen Texas Guinan; "The Perils of Pauline," about
 the silent-screen heroine Pearl White; and "Somebody Loves Me," about
 the singer Blossom Seeley.
 
 In 1950, when Judy Garland was ill and unable to meet her commitments to
 star in the film version of "Annie Get Your Gun," Ms. Hutton got the
 part, winning praise in a role that had been created on Broadway by
 Ethel Merman.
 
 There were also Hutton movies that got bad reviews, most notably "Dream
 Girl" (1948). Ms. Hutton began to feel her career was headed downhill.
 To help her get the romantic heroine's role in "The Greatest Show on
 Earth," playing a trapeze artist, she sent DeMille a floral tribute 18
 feet in diameter.
 
 But her career was winding down, and after "Somebody Loves Me" (1952),
 she was all but finished. That year she married Charles O'Curran, a
 dance director, who wanted to direct her in a film. Paramount rejected
 the idea, and Ms. Hutton, in a fit of temper, walked out of her
 contract. Her final film, "Spring Reunion" (1957), received little notice.
 
 Ms. Hutton soon turned to the new medium of television and was given a
 series, "The Betty Hutton Show," but it lasted only for the 1959-60
 season. In 1965 she appeared on Broadway in the musical "Fade Out, Fade
 In," replacing Carol Burnett, but pills and alcohol were taking over her
 life.
 
 At her lowest ebb, in 1974, Earl Wilson, an entertainment columnist for
 The New York Post, organized a benefit for her in New York. "I haven't
 got a cent," said Ms. Hutton, who had earned $150,000 a week in her good
 years.
 
 She found a way to cope with her problems in religion. She renewed her
 interest in Lutheranism, her original faith, then became a convert to
 Roman Catholicism. She regarded the Rev. Peter Maguire of St. Anthony's
 Roman Catholic Church in Portsmouth as primarily responsible for saving
 her life. During one of her many hospital stays, he talked her into
 working for St. Anthony's. "No one had ever talked to me before," she said.
 
 She later resumed work as an actress, appearing in nightclubs and,
 briefly in 1980, in the Broadway musical "Annie." "It's groovy being a
 star again," she said. "But I know how fast it can be over."
 
 In the early 1980s, Ms. Hutton, who had never gone beyond the ninth
 grade, enrolled at Salve Regina, a Catholic college for women in
 Newport, R.I. She earned a master's degree in psychology; the college
 had decided that her life experience entitled her to a baccalaureate. By
 the late 1980s, she was teaching comedy and oral interpretation at
 Emerson College in Boston.
 
 She made occasional broadcast appearances in her later years, notably an
 hourlong interview, first shown in 2000, with Robert Osborne of Turner
 Classic Movies.
 
 She married four times, to Mr. O'Curran; Ted Briskin, a manufacturer;
 Alan Livingston, a recording company executive; and Pete Candoli, a jazz
 trumpet player. She had two daughters, Candy and Lindsay, with Mr.
 Briskin and another, Caroline, with Mr. Candoli. All her marriages ended
 in divorce.
 
 "My husbands all fell in love with Betty Hutton," Ms. Hutton once said.
 "None of them fell in love with me."
 
				__________________Be yourself; everyone else is already taken. - Oscar Wilde
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