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Old 02-27-2007, 11:39 PM   #171
€uroMeinke
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Originally Posted by innerSpaceman View Post
But, wow, I love the way that acronym looks!
Indeed - someone needs to make it into a Disney attraction
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Old 02-27-2007, 11:39 PM   #172
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Ummmm, yea. That was I who was yelling "propaganda" at dinner. But, I was referring to Binto's Big Idea and not West Bank Story. West Bank was funny, Hot Shots, SNL style. Binto was pure propaganda trying to hide behind a heartmeltingly adorable little girl. The father's proposal was funny and clever. Even the children at school was sweet. But the play ruined it all. Could they beat us over the head any more with the idea the girls need to go to school? Geez! PROPAGANDA!!
Seriously. It could have been a much better film if they just hadn't yelled at us so much.
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Old 02-27-2007, 11:41 PM   #173
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It sure is better than MITLF
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Old 02-27-2007, 11:41 PM   #174
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So, what about films based on books? Is that any different/better/worse?
I addressed that up above:

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but one big difference, I think, is that with a filmed remake of another film you are provided not just with story or specific dialog but also camera angles, editing decisions, pacing, staging, etc. You can pick what has already worked on film once while tweaking what has already been shown to not. In other words, while those other sources help with story they don't necessary help with the cinematic parts.
Who gets more creative credit? The director who is brought it by a producer to make an already cast movie based on a screenplay adapted from a successful stage production or the guy who writes a script, casts it, fights off studio interference and directs it exactly the way he envisioned it in his head?

The latter. That doesn't mean he made a better movie, though.
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Old 02-27-2007, 11:42 PM   #175
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Originally Posted by €uroMeinke View Post
Indeed - someone needs to make it into a Disney attraction
Perhaps they could put it in the WWTBAMPI! building
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Old 02-27-2007, 11:45 PM   #176
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I've been liking propaganda films lately. They are really fascinating both when seen as a contemporary film and as a historical document. Watching Fuherer's Face, Binta....., An Inconvenient Truth, the recently posted Ward Kimbal shirt and Victory Through Air Power makes me want to watch some good ole Lene Riefenstahl.
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Old 02-27-2007, 11:46 PM   #177
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Quote:
Originally Posted by Alex Stroup View Post
I addressed that up above:



Who gets more creative credit? The director who is brought it by a producer to make an already cast movie based on a screenplay adapted from a successful stage production or the guy who writes a script, casts it, fights off studio interference and directs it exactly the way he envisioned it in his head?

The latter. That doesn't mean he made a better movie, though.
Thanks. I obviously missed that part. Bathroom break or something.
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Old 02-27-2007, 11:59 PM   #178
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TMWKTM
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MITLF
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WWTBAMPI!
I demand to know what you cuckoo birds are saying.
:bangs table with fist Cadaverous Pallor style:


Edit: Never mind, Cuckoo Birds. Me scroll 'em up higher and figure out. Ugh. ~ Chief Dances with Crickets

Last edited by Gemini Cricket : 02-28-2007 at 12:09 AM.
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