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Old 10-13-2011, 04:40 PM   #11
Kevy Baby
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Join Date: Jan 2005
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Posts: 18,500
Kevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of coolKevy Baby is the epitome of cool
I have a Bachelor's degree in printing ("Graphic Communication") and one of the classes I took was called "Design with Type." I learned all sorts of fascinating minutia about fonts. One of our assignments was creating a one sheet with a poem or some other text along with an image behind it. Besides the layout challenge, we had to use a system where the kerning was turned off and we had to manually code ALL of the kerning.

So far, I haven't had the patience to take the test GD linked to to see if I retained any of those skills.

Another mostly useless factoid I learnt was that in Postscript (and most proper vector-based typesetting protocols), the details of each character vary ever so slightly depending on the point size; this was demonstrated by outputting the same character (same font obviously) in a 6 point and a 72 point size, then blowing up the 6 point character to the same visual size as the 72 point character to display them side-by-side. When comparing, you would see where the stroke might vary, the transition of a crossbar was more filled in on one, etc.

Another assignment was programming in raw Postscript coding. While searching for a visual illustration of the font size difference, I ran across the image below. I remember creating an image exactly like the one on the left side of this image. EXACTLY!

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