At the Cinema

[Alex]

I'm not really familiar with the Green Hornet other than knowing Bruce Lee was Kato on TV.

Has it always been that the Green Hornet is a doofus and Kato is the real brains of things or has the movie made something of a farce of it?

[Cadaverous Pallor]

Farce. It started as a radio show in the 1930's, so as you can imagine it was more serious.

I'm a Seth Rogen fan and I don't care about the Green Hornet property, but this trailer just made me kind of sad that they took the character down so many notches. No interest here...

[mousepod]

I'm with CP on this one.

If you need a Green Hornet overload, there's a DVD out (probably a bootleg) with every episode of the Green Hornet TV series, the complete original theatrical serial, and both '70s movies (plus extras).

Green Hornet Ultimate Collection

We started watching it a couple of weeks ago. It'll take months to get through the set.

[innerSpaceman]

I kinda felt the same way ... till I found out that Christoph Waltz will be playing the bad guy.


Interest re-peeked.

[Tref]

Prodigal Sons - music by Orson Welles (apparently)

[Tref]

Valhalla Rising

(Pic related - It's your reaction to the Valhalla trailer)

[Cadaverous Pallor]

The Social Network, aka the Facebook movie, directed by David Fincher (Fight Club, Se7en, The Game, etc). The not-really-ironic part: They have a prominent link on their site to recommend it to your Facebook friends.

[Bornieo: Fully Loaded]

New pictures from the upcoming Green Lantern film.

http://www.bleedingcool.com/2010/07/...green-lantern/

http://www.bleedingcool.com/2010/07/...eep-on-coming/

As usual, the costume looks terrible.

[Tref]

At the Egyptian Sept. 4-6:

Cinecon 2010 unveils exciting programming: a lost Chaplin film, Lloyd and other silent-era rarities


(Pic related)

[Tref]

The Agony and Ecstasy of Phil Spector at the Egyptian on Hollywood for one week.

"Phil Spector’s openness and ability to discuss some of his greatest collaborations (The Ronettes, John Lennon, The Beatles, The Righteous Brothers, and The Crystals) stem from the mindset of facing a possible conviction and sentencing. He is unafraid to malign, among others, Tony Bennett (the person he regards most as overrated it would seem), Paul McCartney (when discussing how Spector felt about McCartney re-releasing the Let It Be album without Phil Spector’s production and arrangements, he said, “He has me mixed up with somebody who gives a ****”), and Yoko Ono (on producing her music, he asserts, “I had to pass on that”)."

To read more, click here

I saw the movie last night and enjoyed it. The film itself is poorly made and sort of a mess, but the interview itself is so great that it more than makes up for the rest of the film. The director relies heavily on Lennon songs, and plays most his choices in their entirety, which is great, but sometimes he'll play the same song twice -- back to back! Why? I don't know. To fill up space?

The director, Vikram Jayanti, was there last night (and may be again, you'll have to check the schedule) but he did not have much to add, and what he did say did not help his case that he was the right man for the job. He even admitted that he did NO research before interviewing Spector, which reveals a level of ignorance that is maddening.

Worse, he told a story about how he was supposed to have five days of filming with Spector (but only got one due to scheduling conflicts) and how he planned on using the other four to make a parody of "Mean Streets" with Spector in the role of Keitel. The film explains his asinine reasoning for trying to make the parody, but when you consider that this film represents the only time the man has ever been interviewed, you can only shake you head and think, 'what an idiot.'

But, like I said, this is the only time Spector has talked about his music and that makes this film a real find for music lovers.

Tref sez, check it out.

(Pic related -- it's Phillip Spector)