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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#1 |
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I Floop the Pig
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Meh, I swallowed that pill long ago. He's gone the way of Burton in terms of his scoring. Such is life.
But I agree with iSm that there's a difference between John Williams reusing some 3-note sequence at the end of a some refrain in a new score vs. a copy and paste of the whole melody. But, the key rule is 5-d and the definition of "diluted". Is using it once, but during a pivotal moment, enough to brand whole score, beginning to end, as "diluted"?
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#2 |
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Kink of Swank
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Well, if one cue is from Deadwood and another (as per mousepod) from The Insider, I'd say Santaolallo's score for Babel is sufficiently diluted by his earlier compositions to be disqualified from Oscar competition.
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#3 | |
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I Floop the Pig
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Quote:
In the end, it's a judgment call on the Academy's part. They obviously felt that one segment of recognizable music did not invalidate the entire 120 minutes as being a original work "as a whole". You obviously disagree and feel that the prominent use of the pre-existing music is enough to taint the whole. I've seen neither Deadwood nor Babel (nor The Insider), so I have no point of reference. But in terms of blatant rule violation, I don't see one as it's a subjective definition. (ETA: The cue from The Insider is the same one that we're talking about. It's in all three)
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'He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.' -TJ |
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#4 |
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You broke your Ramadar!
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That makes it even funnier.
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#5 |
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HI!
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I'm with you on Elfman, too.
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#6 |
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lost in the fog
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I loved Eflman scores from Pee Wee's Big Adventure up through Batman. Then he lost me, which is sad, I thought some of his work was just great. He lifted up the Burton films (which always seem to crap out and lose focus and steam about 2/3 way through them)
I'm a big Howard Shore fan and don't get me started on the old classic film composers, gosh but some of the scores are just great. I've not seen Babel yet and as for Brokeback, all I can remember is the basic theme and that is from it being drilled into my head from watching all the trailer parodies last year But, if the rules are such as iSm spells out, then I agree the award is not deserved. So I guess you blame the nominating committee? Korngold, Steiner, Tiomkin, Hermann, Rozsa and Waxman all had a unique (to them) style and sound. But I can remember almost none of them borrowing or using themes from an earlier score.
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#7 |
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...
Join Date: Jan 2005
Posts: 13,244
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I thought he deserved two Oscars for Brokeback alone. Haunting, unforgettable...
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#8 |
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L'Hédoniste
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Really? I'll be damned if I can remember that score and I saw it well after the theatrical run
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#9 | |
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...
Join Date: Jan 2005
Posts: 13,244
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Quote:
![]() And, of course, there's the Tony Moran remixed club version. I have that one. It makes me laugh. ![]() |
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#10 |
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lost in the fog
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Is this online somewhere?
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