Meet Me @ the Barre!

[Tref]

My favorite dancer ...

[€uroMeinke]

I'm kind of surprised by the number of you that had Ballet growing up. I suppose it's a common enough activity for girls growing up, but being relatively new to it, I'm amazed that many of you already posses it's language and concepts - I guess perhaps I'm also a little jealous.

[Morrigoon]

Yeah, it's kind of a girl thing. Boys get sports, girls get dance, you know how it goes.

[€uroMeinke]

Originally Posted by Morrigoon

Yeah, it's kind of a girl thing. Boys get sports, girls get dance, you know how it goes.

But why don't women speak in dance analogies?

[Prudence]

I never wanted to take ballet. I loved tap. But, once you got to a certain age ballet was required for either tap or jazz.

[Deebs]

Originally Posted by Kevy Baby

I'm fairly good at dancing around an uncomfortable topic.

Really? I thought you took more of a head-on approach to those topics.

Originally Posted by Strangler Lewis

My grandest moment was during a ballroom class I took in college through the P.E. department. It was tango time, and the 50+ lady instructor partnered me. "You're very good," she said as the music swelled. "Now, lead with your thighs!"

That truly is a grand moment.

Originally Posted by Prudence

14 years of tap, and I forget how many of ballet. Ballet I was never very good at due to some mishap in the way my hips were formed (except for jumps - I was an AWESOME jumper).

I have the opposite freak hips. My turnout from the hip is ridiculous, especially on my right, though I am not a strong jumper. My turnout makes the parallel stance in jazz very tricky.

Originally Posted by Prudence

I loved tap.

Tap really is so much fun.



I started dancing in pre-ballet classes when I was 3 at the Bevelle Studio in Danville. My first teacher's name was Miss Joy and she wore her hair in a very big, very bright, reddish-orange beehive. We did a lot of dancing in circles, holding hands, clapping on beat to learn rhythm, and running around using babooshkas to represent everything from babies to flowers. I also remember tambourines in use, just thought ot that. Hmm.

Since then I have danced in many different studios (depending on where I was living or traveling) and studied and taught different forms of dance, but always return to ballet. For 16 years I took ballet, tap, jazz and tumbling (gymnastics minus the equipment and competition) at San Ramon Valley Dance Academy. Then I dropped the tumbling and jazz to concentrate on ballet, but liked tap and still played with that as well for 10 years after that. I stopped dancing for 10 years when I got married and had my two children. I thought I was too old to dance and figured that it was fun while it lasted, but that part of my life was over. When my daughter was 4 and started taking ballet classes, I was shocked at the intense feelings of nostalgia I had, being in a studio. I took her for her weekly ballet class and did not want to leave. So I went back to ballet then. Very soon after I added a lyrical and tap classes. I was invited to substitute teach when needed, which is not often, but really fun. I'm not good at math, but even taking out the 10 stagnant years, the number of years spent dancing is high.

At least two of the studios where I danced are gone now. Footsteps in San Francisco, last I heard, was doing strictly salsa. Some of my favorite teachers have been Alexei Badrak, Margret Lloyds-Smallie, Joan Winton, Karla & Klaudia Kobelt and Mo Ruslender.

Growing up my ballet training was SAB, but later took classes in the Cecchetti method. As an adult I have favored Vaganova, thanks to Alexei Badrak, who has been the most inspirational teacher I've ever known. Since dancing with Alexei, I just love a good mazurka. When I am fortunate enough to have my own students, I don't stick to a strict syllabus, but instead strive to stoke a passion for dance and impart my love for music and movement.

I love all the dance pics! I wish I had a scanner, I could add some of mine, though I don't think I've ever worn a costume as sequined and fabulous as Morri's. I have worn my share of fishnets though. The most memorable costume was a lime green and orange monstrosity worn for a recital in the 70's -- bell bottomed lime green jazz pants, with orange sequins sewn down the outside seam of each leg. The music? Shaft, of course. Can you dig it?

[Deebs]

How cute is her accent?

I love listening to her talk, it reminds me of Alexei. He was the first male instructor I'd ever had and turned out to be my favorite. He was the first teacher I really, really wanted to please. Not because I was afraid of his criticism as I had been with other teachers I'd had in the past, but because it seemed to make him so happy when we danced well. I also probably liked him because he wasn't much taller than me.

Some things he said I still don't really know the English for what he was trying to say. At the barre when we were doing tendus and degages he would say he wanted it "sharp"! and "juicy!" I have no idea. But sometimes it made me giggle, and it always made me smile.

[Disneyphile]

Fun video, Deebs!

I love the way our instructor does tendu warm-ups. We have a set "routine" to this really neat rock song that starts off slow, with someone singing in French, right before the guitar wails in.

Totally works for a jazz class, but would probably leave the ballet instructor cringing.

[Deebs]

The tendu music sounds great -- really fun, T! At the studio closest to my house things are very non-traditional. They call it ballet, but it is really more lyrical there, and when I sub those ballet classes I always use a variety of music. The students don't even wear leos and tights, I'm usually the only one at that studio dressed more traditionally.

[Disneyphile]

I'll find out what song it is for you. You might want to give it a try sometime then!