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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#1 | |
8/30/14 - Disneyland -10k or Bust.
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- Taking it one step at a time.
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#2 |
ohhhh baby
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Aren't a large proportion of films book adaptations? When I began work at a public library I was surprised how many films were based on bestsellers (mostly because I don't read much in popular fiction).
It's hard for me to say that taking a new novel (like, say, The Bourne Identity) and making a movie out of it is derivative or somehow worthy of scorn. Making a movie out of an older book may be more lame but I Am Legend is a situation I'd again be ok with, as the original book isn't super-well-known and neither is the first movie adaptation (which I hear is for good reason). There are always exceptions. Anyway, getting back to your point, you're 100% right. We reward retreads, for obvious reasons.
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#3 |
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Join Date: Feb 2005
Posts: 13,354
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I Am Legend was actually the third time it had been made into a movie. And within certain circles it is a very well known book.
I'm not in any way saying that a book adaptation is worthy of scorn (and being an old book no more or less so), simply that adapting a book to screen is no more an act of originality than coming up with a sequel or comic book adaptation or turning a TV show into a movie. As for this, that's an interesting. I'll look. |
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#4 | |
I Floop the Pig
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In some sense, all movies are book adaptations in that they're going from script to screen. Thus, to my mind, the art in movie making lies in the transition from written word to visual medium. So I consider films that don't have a visual world to start from more original than films that are derived from an already-created visual counterpart. Comic book adaptions I suppose fall somewhere in between, though I put them on the more creative side since there's still a pretty big gap from drawing to screen. All that said, none of it matters if the end result is done well, whether it's entirely original or a sequel or whatever. But in terms of what receives more respect from me, it would be movies where most of the movie-specific components are new and not recycled.
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#5 | |
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Join Date: Feb 2005
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But I'm thinking more in terms of the creativity of the entire enterprise and in that view, I think your position significantly undervalues the script. And it is certainly true that original script or not has little correlation to quality. Paul Blart was an original script and The Godfather is an adaptation and The Maltese Falcon was both a book adaptation as well as the third time it had been made into a movie. |
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#6 | |
HI!
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I don't have a lot of comic book knowledge, but I can see a shorter path between the two in this case. The writing is not THE most important thing in a comic and is aided quite heavily by illustrations - much in the same way the setting and blocking is provided in a script. |
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#7 | |
I Floop the Pig
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Yes, script-writing is also a major creative component, arguably more important than the visual aspect as, with rare exception, a movie with a bad script can't be saved by a good visual translation of that bad script. But part of good script-writing is creating something that's going to translate to screen well. With source material that already exists in movie/picture form, that part of your work is already done for you. There's a big difference between how a story is told on the page vs. how it's told on screen. That's why I never fell in love with the Harry Potter series of movies, they are too literal a translation from book to movie. When I see a movie adaptation of a book, I don't want a filmed version of a book, no more than I want a filmed version of a play. I want a movie. And I consider the creative effort that goes into that translation a bigger skill than the creative effort that goes into just writing a follow-on script from something that's already in that medium. Of course, none of this is absolute. If done well, any movie, no matter the source, can be good, creative, and a demonstration of movie-making skill. But as a predictor of movies I will enjoy, book adaptation/original script are on par for me with the others a step below.
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'He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.' -TJ |
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#8 |
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So, among the top 40 of the decade, 90% were "unoriginal." How does that compare to overall?
So far, there have been 94 live action, non-documentary movies that have earned at least $15 million dollars domestic in 2009. But original are much more common in the top tiers of this list than in the other list (note that this is domestic grosses where the other list was worldwide grosses; worldwide tends to filter out comedies). Anyway, curiosity sated. Data in the spoiler. In a nice bit of serendipity, exactly half (47 are original screenplays). There's room for quibbling on some. Spoiler:
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#9 |
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Join Date: Feb 2005
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My review of The Princess and the Frog. Short version: It's not horrible but it didn't set my world on fire by any stretch of the imagination. Ok start, boring middle, really good end.
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#10 | |
Cruising around in my automobile...
Join Date: Jan 2005
Location: Oregon
Posts: 2,617
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Thanks Alex, I always look forward to your reviews! The boy and I hope to see it this weekend if we're not snowed in. |
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