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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#1 | ||
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Join Date: Jan 2005
Posts: 13,244
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#2 | |
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ohhhh baby
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If I wrote a screenplay and Coke wanted my characters to drink Coke in it, I'd happily take whatever they offered as long as the script and direction aren't affected by the transaction. I'd be especially inclined to take it if it meant I'd have just that much more budget for my film - better equipment, more time, etc. I don't see that as "selling out" my script or concept.
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The second star to the right shines in the night for you |
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#3 | |
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HI!
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#4 |
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ohhhh baby
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It's an interesting question - how much reality do you want in your storytelling? Should the president's name be correct or fictional? Which movie stars "exist" and which don't due to acting in the film itself? I love when movies play with that and have the actor exist anyway, so you have an actor saying that he hates himself or whatever. I can't think of an example off the top of my head.
More on realism: On Family Guy, Stewie travels to the future. Stewie: "Everything looks the same!" Future Stewie: "What did you expect, it's only been thirty years."
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The second star to the right shines in the night for you |
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#5 | |||
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Join Date: Jan 2005
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:shruggage: |
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#6 | |
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Kink of Swank
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You, Sir, are a fraud. You have never seen Cast Away. ![]() |
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#7 | |
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This can easily carry over to my feelings - or lack thereof - on product placement. Murakami regularly mentions Disney-realted things as well as pop-culture icons in ways that are jarring, but meant to be so. His reality references seem to punch out the magical realism of the story for a moment which is wonderfully jolting for the reader. I have a strong desire to re-warch I <3 Huckabees or Adaptation again. I'm in a mood to ponder some more and those two films do a great job of questioning "reality". ![]() |
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#8 |
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Join Date: Jan 2005
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To me, commercials have no place in films nor movie theatres. Bleh and double bleh.
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#9 | |
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#10 | |
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Kink of Swank
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Tom Hanks character in Cast Away is a high level manager with a world-wide delivery company who lives his life by the seconds of the clock. It is endemic to the story being told, both to his situation and his character. Working for FedEx is simply something his character would do. And a fictional company would just have taken everybody right out of the reality of the film. At least, Robert Zemeckis thought so, and that's his perrogative. Since he has made quite a few of the best movies of all time, how 'bout we assume he just may have something there. We'll have to just agree to disagree. But phone number 555-5555 bugs the crap out of me. It pulls me right out of the story being told. It's noticeable by its obvious artificiality. |
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