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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#1 | |
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Join Date: Jan 2005
Posts: 13,244
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![]() I hear what you're saying but 3 of the people on your list are dead. I'm not worried that money I give them is going towards anti-gay or anti-Jewish causes. Mel's trying to build a church for an extremely fundamentalist sect of Catholicism. That's not something I want to support. Also, isn't not paying to see a film a good way for studios to know who they should and shouldn't be green-lighting and supporting? Mel's a freak. I mean, were John Ford and Cecil B out in the media preaching and trying to convince others how to think their way? Were they actively trying to get people to be bigots? I don't know the answer to that, but Mel does. He also uses his movies to get that point across. 'Braveheart' is chocked full of homophobic crap but yet it's embraced by a lot of my friends of mine as one of the great films of all time. Yow! If I had lived in Cecil B's time and knew about his racism, I wouldn't watch his films. (Not that I was ever a big fan of his.) Same goes for Ford. |
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#2 | |
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Join Date: Feb 2005
Posts: 13,354
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For some reason I typed "Cecil B. Demille" when I was thinking "D.W. Griffith" and Birth of a Nation was the racist movie in question. Personally, I don't buy into the anti-semitic reading of The Passion of the Christ and think it was a great film. It is anti-semitic in the sense that it is a version of the story that Jews don't like. The alternative would be anti-Roman, they just don't have an anti-defamatation league to speak up for them. But I understand the idea of not patronizong financially people with views you find objectionable. I just find the actual practice to be inconsistent (the vast majority of people who views I find to be objectionable in some way or another). Calls for the studios to deny work to homophobes and anti-semites are essentially the same as calls for the studio to deny work to gays and communists. We just find that some of those more directly align with our own personal preferences and would find the remainder abhorrent. As for Apocolypto, everything I hear is that it is an incredibly well made B-movie with lots of gore. Because it is Gibson it will then be layered by observers with lots of hidden messages that wouldn't be seen if it were made by Rodriguez or Jackson. I don't agree with Gibson's cosmology but I do admire his balls-to-the-wall attitude of making exactly the movie he wants and to hell with anybody who tries to temper it. That doesn't mean I'll like the result (I like The Passion but don't care for Braveheart) but he is doing exactly what I wish most artists in Hollywood would do once they achieved the economic security that comes with super stardom. Clooney/Soderbergh are the only other ones I can think of who consistently do that. |
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