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Old 02-27-2007, 11:01 AM   #1
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I can't argue with that (and I don't feel that being a remake necessarily hampers The Departed; yes, I know this is inconsistent with my practice of starting mimicry performances in the penalty box) but one big difference, I think, is that with a filmed remake of another film you are provided not just with story or specific dialog but also camera angles, editing decisions, pacing, staging, etc. You can pick what has already worked on film once while tweaking what has already been shown to not. In other words, while those other sources help with story they don't necessary help with the cinematic parts. I think United 93 should have been nominated for best picture (though not win) and there wasn't anything "creative" in the movie; it was intentionally un-creative.

Not having seen Infernal Affairs I don't know how much Scorcese benefited from all of that or if it was essentially like starting from scratch with a screenplay.

Interestingly, though, if the sequel to The Departed gets made it won't be a remake of the sequel to Internal Affairs since the American sequel will apparently focus on the Mark Wahlberg character that doesn't exist in the original version.
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Old 02-27-2007, 11:11 AM   #2
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Quote:
Originally Posted by Alex Stroup View Post
but one big difference, I think, is that with a filmed remake of another film you are provided not just with story or specific dialog but also camera angles, editing decisions, pacing, staging, etc. You can pick what has already worked on film once while tweaking what has already been shown to not. In other words, while those other sources help with story they don't necessary help with the cinematic parts.
I definitely give more creative credit to films adapted from other media than I do ones remade from another film for this very reason. As evidenced by the early days of film, transferring theatric stage direction to the camera just doesn't cut it. Even dialog and story doesn't survive direct translation to screen. It takes quite a bit of creative effort to take a good play or novel and make it a good movie. With something that was already a movie once, much of that effort is already done for you.
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