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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#11 | |
the one n only
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From the mind of innerSpaceman:
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And yeah, the acrobatics were less varied and the circus elements were generally weaker than usual. I knew this going in. Franklyl, it's been true of every Las Vegas show after Mystere. The impressive acrobatic and circus acts are found in the traveling shows (Corteo, for instance, was full of 'em), but the Vegas shows are far more concentrated on choreography, style and gimmick. Compared to the traveling shows, I find "O", Ka and even Zumanity lacking in the death defying, thrilling acrobatics that Cirque became famous for. That Love followed this trend to a weaker acrobatic level was no surprise to me. It was pretty and entertaining and interesting to experience. But after the opening number, I don't think I was particularly impressed with any "circus" act performed. Eh, I still liked it. It didn't have an original score either, which is a big draw to me of the Cirque shows, too. I liked it for what it was ... which was admittedly a lesser animal than many of its fellow Cirque productions. That's not to say it was bad. Less than the best of Cirque du Soleil is hardly "bad." ======================================
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