![]() |
€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
![]() |
#31 |
I Floop the Pig
|
So which dolly-out/zoom-in shot from which movie is referenced?
And anyone who's seen the old special-effects show at Universal Studios would recognize the fall from Vertigo instantly.
__________________
'He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.' -TJ |
![]() |
Submit to Quotes
![]() |
![]() |
#32 |
scribblin'
Join Date: Jan 2005
Location: in the moment
Posts: 3,872
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
There's a super-long opening tracking shot... Rope? Or maybe Notorious. I dunno, Hitch liked the tracking shots.
Also, the key is Notorious. |
![]() |
Submit to Quotes
![]() |
![]() |
#33 |
Doing The Job
Join Date: Aug 2006
Location: In a state
Posts: 3,956
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
I watched the opening and I thought the long pullback from a subject was straight Scorsese. It was just a little slower than his usual back/forward stuff.
__________________
Live now-pay later. Diner's Club! |
![]() |
Submit to Quotes
![]() |
![]() |
#34 |
I Floop the Pig
|
Yeah, I think (as I was trying to snidely imply) that's the source of the uncertainty...he reused he tricks. A lot. So the fall was probably a combination of at least 2 of the above-mentioned options.
__________________
'He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.' -TJ |
![]() |
Submit to Quotes
![]() |
![]() |
#35 | |
...
Join Date: Jan 2005
Posts: 13,244
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Quote:
![]() |
|
![]() |
Submit to Quotes
![]() |
![]() |
#36 | |
lost in the fog
|
Quote:
The key, how the hell could I miss the key reference? (b!tch slap up side the head)
__________________
Be yourself; everyone else is already taken. - Oscar Wilde |
|
![]() |
Submit to Quotes
![]() |
![]() |
#37 |
HI!
|
OK, so I don't know my Scorsese as well as Hitch. There's a still of an actor (De Nero?) above the hitch archives. Is that a still from a Scorsese film?
OH! NOTORIOUS! That was a dumb miss on my part. |
![]() |
Submit to Quotes
![]() |
![]() |
#38 |
scribblin'
Join Date: Jan 2005
Location: in the moment
Posts: 3,872
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Now *I* don't want to be at work either... I want to cut a side-by-side referential comparison.
I think I will do it, actually - I need some Final Cut practice anyway. |
![]() |
Submit to Quotes
![]() |
![]() |
#39 |
...
Join Date: Jan 2005
Posts: 13,244
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
|
![]() |
Submit to Quotes
![]() |
![]() |
#40 | |
lost in the fog
|
Quote:
Hey LSPE, can you have it done in time for Saturday? ![]()
__________________
Be yourself; everyone else is already taken. - Oscar Wilde |
|
![]() |
Submit to Quotes
![]() |