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Old 12-04-2007, 08:51 AM   #1
Cadaverous Pallor
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We didn't continue - my phone call went late - and I dont' think I want to spend any more of my time on that awful film. I could have overlooked the terrible villian (bad acting and bad writing) but when the Tin Man himself turned into a laughably bad character (bad acting, bad writing, and he looked over his shoulder to say every line) I knew it was curtains. A shame, because I was digging their take on Dorothy for the most part. Alan Cummings was doing his best to deal with more bad writing but it's a losing battle.

Again, I'm reminded why I support the writers' strike.
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Old 12-04-2007, 11:29 AM   #2
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Quote:
Originally Posted by Cadaverous Pallor View Post
We didn't continue - my phone call went late - and I dont' think I want to spend any more of my time on that awful film. I could have overlooked the terrible villian (bad acting and bad writing) but when the Tin Man himself turned into a laughably bad character (bad acting, bad writing, and he looked over his shoulder to say every line) I knew it was curtains. A shame, because I was digging their take on Dorothy for the most part. Alan Cummings was doing his best to deal with more bad writing but it's a losing battle.

Again, I'm reminded why I support the writers' strike.
I'm confused (Not that that in itself is unusual).

What does the strike have to do with the quality of the writing? Sure the writers want more moola (who doesn't?) but how would handing them a raise make shows that suffer from poor writting any better?
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Old 12-04-2007, 11:14 PM   #3
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I'm confused (Not that that in itself is unusual).

What does the strike have to do with the quality of the writing? Sure the writers want more moola (who doesn't?) but how would handing them a raise make shows that suffer from poor writting any better?
No, no, I mean, good writers that write all the wonderful things I watch deserve to be fairly paid, because without them, all TV would be like this. <shudder>
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