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	€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides.  | 
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		#11 | 
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			Join Date: Jan 2005 
				
				
				
					Posts: 13,244
				 
				
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		 I just watched him in Tootsie the other day.  How sad. 
		
	
		
		
		
		
		
	
	RIP, Mr. Pollack. ![]()  | 
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		#12 | |
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			 Kink of Swank 
			
		
			
				
			
			
								
		
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 Who's this other Sidney? Oh, the hack that directed Tootsie and Out of Africa?? Good riddence!! No, just kidding. But I liked him better as an actor than as a director.  | 
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		#13 | 
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			 Not Tref 
			
		
			
				
			
			
								
		
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		 Mr. Pollock had a welcoming presence on the screen. I was always happy to see him appear in a scene, no matter how small the part. Sometimes Pollock's role would be the only thing I remember, especially in films like Eye Wide Shut and Husbands and Wives -- there was a warmth and humanity to SP, that I can't even describe or put my finger on. Sydney was sort of like Bill Murray, you always enjoy the movie more because he's in it. 
		
	
		
		
		
		
			
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	Tref3.0 Listen in aural 3-D to Pop's muzak! (New songs added semi-bi-daily) ![]() j & j Did you know that Emas eht yltcaxe is exactly the same spelled backwards?!  | 
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		#14 | |
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			Join Date: Feb 2005 
				
				
				
					Posts: 13,354
				 
				
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		 Quote: 
	
 Three Days of the Condor is a fantastic political thriller. I love the fortitude it probably took to see The Way We Were to its appropriate conclusion (though I'm not a big fan of the movie overall). I love the beginning of The Electric Horseman. Tootsie is good but I've never thought it great. I like Out of Africa more than I think is the average. Then he kind of stopped. Over the last 23 years he directed six movies, one of which is a documentary. One is a surprisingly solid piece of boilerplace (The Firm), three are outright mediocre or bad (Havana, Sabrina, Random Hearts) and I still haven't seen The Interpreter. Looking over his resume I'm actually surprised to see how few films he directed over the years. But to me, even with the diminished output, I think he bridged a certain edginess from the '70s with '90s commercialism. And if nothing else, even if he wasn't making it, he was a fantastic advocate and promoter of quality film.  | 
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