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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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#1721 |
Kink of Swank
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I hated the show, so I'm not going to bother with the movie till its out on disc.
Some friends saw it last night - but there was a popcorn fire in the theater, so the audience was evacuated before the final half-an-hour. They can go back for free, but have to sit through the whole thing again in order to see the ending. Sounds like torture to me. |
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#1722 |
Chowder Head
Join Date: Jan 2005
Location: Yes
Posts: 18,500
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Reminds me of when we saw Born on the Fourth of July and a man had a seizure during a particularly intense moment. They stopped the film for a half hour while paramedics came in. This was back in the old-school film projection days.
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#1723 |
Kink of Swank
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Catching Up on Oscar Nominated Films, I'm a tad disappointed.
Beasts of the Southern Wild was very sweet, but Best Picture material? Not unless standards have drastically slipped. And I seriously don't understand all the general buzz about this movie. The young thing with the child Oscar nom was very good - but since most of her "acting" was voice-over done in studio, I look a bit askance at an Oscar nom. This film is Highly Over-Rated IMO. Silver Linings Playbook was adorable. A sweet piece of RomCom fluff with a flavoring of mental illness, which was a cute theme affecting many of the characters - and not just the central couple - which I appreciated. But sweep of the actor categories AND Best Picture? Um, not if this movie had been released before November. No one would remember it. It's an adorable trifle. And just because actors are playing mentally ill does NOT mean those performances are automatically Oscar-worthy. I'm very tired of that trope. BUT - I thoroughly enjoyed this film. It's just Very Overrated, IMO. Argo was a very well-told, 70's-era true espionage tale. Very well done. Very entertaining. Also slightly over-rated imo, but only because there's such gushing about it. I've got nothing bad to say about the movie, but it didn't strike me as OMG Fantastic. Oh well, at least I'm catching up on Oscar noms. |
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#1724 |
Senior Member
Join Date: Jan 2005
Posts: 4,978
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Just watched "The Lovely Bones." Interesting movie. Lead actress was *very* good. I'd read the book, and I'm glad the movie was done so well. Maybe it wouldn't ring so well with someone who didn't grow up in the 70s or in the Midwest, but I did both, so those scenes brought up a lot of memories.
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#1725 |
ohhhh baby
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Les Mis is not ironic.
Reminds me of this piece I wrote on having to let go of being distant if you want to embrace all things Disney. It's so much easier to judge things from afar than to let yourself be moved by someone else's art.
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#1726 |
I Floop the Pig
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'He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.' -TJ |
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#1727 | ||
8/30/14 - Disneyland -10k or Bust.
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Quote:
Quote:
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- Taking it one step at a time.
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#1728 | |
L'Hédoniste
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Quote:
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I would believe only in a God that knows how to Dance. Friedrich Nietzsche ![]() |
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#1729 |
Senior Member
Join Date: Jan 2005
Posts: 4,978
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Heavy-metal version of the Nutcracker might be quite entertaining!
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Why cycling? Anything [sport] that had to do with a ball, I wasn't very good at. -Lance Armstrong |
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#1730 |
Kink of Swank
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Three Movies.
![]() ![]() Alas, the good times eventually end, the bitchiness returns with a vengeance and Shirley makes Jack her lackey pet. But not before she's already entrusted him with power of attorney over her huge fortune. In a spat, Jack shoots Shirley in the back four times, killing her. But most bizarrely - and TRUE - he successfully conceals her death for NINE MONTHS. Jack Black is insanely awesome as the title character. Do yourself a favor and rent Bernie. ![]() What a frelling mess! I fault the source material, and not necessarily the film. There was nothing particularly wrong with "nasal cam," as the close-up-heavy style has come to be derisively known. Also, I can't find too much fault with the decision to have all the music sung "live" and not lip-synched to prerecorded vocals. It was fine for most of the cast and arguably added an urgency and drama to the proceedings. Much has been made of Russell Crowe's inability to sing - all too sadly true - but not enough has been made of his inability to act. He conveyed far too little menace or obsession as the intractable pursuer Javert. A very weak link in a wobbly chain. And that's because, as a piece, and despite its vast success, Les Miserables sucks as a musical, or as anything. It's boring. The "songs" such as they are, reek of interstertial meandering and sing-songy inbetweeny droning on. There are only two what could properly be called Songs - one is a misconceived, poor-man's Sweeney Todd rip-off that is the show's only legitimate "number," but falls flat and stands out like an unwelcomely sore and third thumb. The other is a nice enough song, sung by Anne Hathaway as Fantine - - but it's absurd that she's sweeping all the awards and will likely win the Oscar for her 4-minute performance. She's fine. But Best Supporting Actress? Pulease! She's in the film for 10 minutes, and has one song - albeit the only decent melody in the entire long piece. Yes, she sings with a swollen red crying nose. And she dies. Give her the Oscar! I think the problem with the piece is its basically four vignettes (and Hathaway indeed features strongly in one of them), that become increasingly less interesting as they progress. Not the preferable arc of a story. Hugh Jackman is fine in the lead role as Jean Valjean - but his character completely disappears for the 3rd vignette and he hasn't really had much chance to cement his character by then - as each vignette suddenly stops and flashes forward by 10 years or so ... and it left me feeling I kept getting cut off just as I was getting to know him. Then he reappears for the last vignette, but it's too late. His whole arc has been choppy and then he comes back after being gone for a whole segment of the story. Just weird. But an even bigger problem with the piece is, of course, the music is horrible. That's a bad thing for an operatic piece where 95% of it is sung. Yet it's also a common trap of opera, where there's too little tunefulness and too much sing-songy droning. I think Javert and Valjean each had a couple of what could be called songs - but I really couldn't tell when they started or ended. The whole piece seemed to be droning on in a vaguely musical vein of low-key dirge - except for two actual songs - as I said, one horribly ill-conceived, and the other inexplicably Oscar-bait. Despite the purportedly epic scope of the 40-year story, it was ultimately boring. It would have been ok if it were depressing, or emotionally resonant in any way. But it was just dull. Again, mostly due to the source material. The filmmaking was really ok. Yeah, I know it's a widely beloved piece. But it sucks. I'm a gay man, and I know musical theater. Quasi-Operas are a bit more difficult, but there are good ones and bad ones. Les Miserables is one of the worst. I can't believe this is nominated for best picture. It's a decent version of one of the worst musicals ever conceived. Do yourself a favor and skip the movie ... read the book. Last edited by innerSpaceman : 02-13-2013 at 11:30 AM. |
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