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Old 07-25-2005, 10:22 PM   #31
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I have an artist friend that lives in the apartment above me, and print making is an art in itself to make a reproduction that is acceptable to the artist. He is extremely picky about subtle variations of color and its proper reproduction, as well as getting the lighting right to properly show the texture in his paintings for images to show prospective galleries and buyers. There is no way to 100% accurately reproduce the subtleties in a painting, even by the best print makers. But as long as they are not bootleg prints, you can be sure that the reproduction is as good as possible, and are justified to be proud to show your original print in any method you desire. God knows I am proud of my bootleg star wars movie poster print, even though it does not hold the value it would if it were an original.
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Old 07-25-2005, 10:40 PM   #32
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I dig what you're saying about brushstrokes and color. I studied various artists once and went to see the original works at the old Getty. One of them was Van Gogh's Sunflowers and yeah, brushstrokes and layers of paint definitely make a difference.

During our photo reorganization that we accomplished this evening, I rediscovered some tiny prints of 3 works of art that we had put away when we changed our set up a while ago. One of them is by Van Gogh. Yeah, a tiny print is not as good as the original, especially with an artist that used paint the way Van Gogh did.

Even so, it's still a masterpiece. I've accepted the fact that I won't be able to afford an original Van Gogh, or even an original Shag. I love these paintings and I love what we've done to present them, and I can't stop grinning when I look at them.
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Old 07-25-2005, 11:00 PM   #33
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Quote:
Originally Posted by Cadaverous Pallor
I love these paintings and I love what we've done to present them, and I can't stop grinning when I look at them.
And, ultimately, these are in your house and need to make you happy.
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Old 09-26-2005, 11:17 PM   #34
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That was a loooong 2 months. BUT, we're finally done. It involved blood, sweat, and tears (quite literally on all 3 counts). Click here for an overly detailed account of the process that really you all have no business giving a crap about. No need to read it, just look at the pretty pictures. I just had to vent about how much bloody effort this took. We're thrilled with the results, but I think we now know why custom framing costs so damned much and if we ever do anything remotely like this again, we're probably going to hand it over to a professional and have them call us when they're done. Oy!

EDIT: Oh, for crying out loud, the bloody photo links aren't working. Of course, they would be working, but the ftp server for our jenniegreg domain isn't so I had to put it on bloody Tripod. It never ends!

REDIT: Okay, now it works. I hope. And now I sleep.
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Old 09-27-2005, 09:20 AM   #35
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Ye've seen the cursed treasure. You know where it be hidden, now proceed at your own risk.

We finally have our dining room back - all the framing crap has been cleaned up and the stuff is off the floor. I feel like we were on the verge of calling In A Fix. It was part of the reason we haven't had any parties at our house in ages.

I'm so happy it's done. They're gorgeous and completely individual. Definitely a collection we'll keep forever. But my God, what a pain in our asses!
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Old 09-27-2005, 10:57 AM   #36
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They look great. That Tomorrowland Frame looks fantastic but the Adventureland is still my favorite. Oh and the limited edition map with pins...faboo!

Great job you two.
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Old 09-27-2005, 12:14 PM   #37
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Wow- great job, you two! I love them all, but especially the Tomorrowland and Adventureland ones.
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Old 09-28-2005, 01:18 AM   #38
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Very cool... so crafty......
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Old 09-28-2005, 01:52 AM   #39
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I think that the two of you have done an amazing job capturing the spirit of each image in keeping with the theme. Shag would approve.

As for the print vs. original conversation - yes, of course an original is always going to be the real thing and a print the shadow version BUT in this particular case, the artist strives to purposefully create a two-dimensional image that recalls the classic graphic illustration art of the mid-twentieth century, which, by design was intended to be seen and appreciated as a lithographed illustration in print advertising and poster art.

Therefore, in this instance, because the end product - the reproduction of 1950s graphic design is what informed the current work, it is therefore closer in spirit and intent than the original.

And you can quote me on that.
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Old 09-28-2005, 08:04 AM   #40
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Quote:
Originally Posted by Boss Radio
I think that the two of you have done an amazing job capturing the spirit of each image in keeping with the theme. Shag would approve.

As for the print vs. original conversation - yes, of course an original is always going to be the real thing and a print the shadow version BUT in this particular case, the artist strives to purposefully create a two-dimensional image that recalls the classic graphic illustration art of the mid-twentieth century, which, by design was intended to be seen and appreciated as a lithographed illustration in print advertising and poster art.

Therefore, in this instance, because the end product - the reproduction of 1950s graphic design is what informed the current work, it is therefore closer in spirit and intent than the original.

And you can quote me on that.
Done.
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