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€uromeinke, FEJ. and Ghoulish Delight RULE!!! NA abides. |
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Join Date: Feb 2005
Posts: 13,354
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Quote:
It is all well and good for you to say that you personally never took it as anything more than fiction. But I have had conversations over the years with literally dozens of acquaintances and coworkers who came away from the book believing that while the (what is now) Tom Hanks/Audrey Tautou part of the story is obviously fiction the underlying elements about Opus Dei, the Priory of Sion, the Knights Templar, etc., must have been mostly accurate and based on historical research. And that's what pisses me off a bit. Not that Dan Brown says "I've built this great piece of mythology" but rather "I've built this great piece of mythology based on some very interesting historical mysteries." To me it is kind of like the Million Little Pieces debate where there was a significant side saying that it didn't really matter so long as it was an impactful read. I disagree, something can be a fun read and still be somewhat dangerous (though I think The Da Vinci Code is only slightly in this category). Of course, it doesn't help that the book is atrocious for even hack genre fiction. I read a lot of hack genre fiction and it had me groaning throughout (the only reason I read it was to see what all the hooplah was about). I tried reading Angels and Demons on the way home from Singapore and found I prefered to just stare at the seat in front of me instead. But what I wonder is: when is fiction just escapist fiction and when is it harmful? Because if a successful novel told the "true" story of how the Human Rights Campaign was originally founded as a cover for homosexual pedophiles then I imagine that HRC would not be saying "oh, posh, why should we care? It's just fiction." |
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